• About Menocchio we know many things.
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    View of the exhibition "About Menocchio, we know many things." Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhibition "About Menocchio, we know many things." with Mounira Al Solh, Let’s Not Swim Then, 2007-2008, from the project The Sea is A Stereo, 2007-2010, screen shot of the video. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Sfeir-Semler Gallery, Beirut-Hamburg.
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    View of the exhibition "About Menocchio, we know many things." with Anahi Alviso-Marino, photographs, video on powerpoint and objects linked with the revolution in Yemen, 2012. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhibition "About Menocchio, we know many things." with Anahi Alviso-Marino, documentary and stickers linked with the revolution in Yemen, 2012. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhibition "About Menocchio, we know many things." with Anahi Alviso-Marino, objects linked with the revolution in Yemen, 2012. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    Anahi Alviso-Marino, captions of objects linked with the revolution in Yemen, 2012. Bétonsalon - Center for Art and Research, Paris, 2012.
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    View of the exhibition "About Menocchio, we know many things." Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhibition "About Menocchio, we know many things." with documents linked with the life and trajectory of Michèle Firk (filmmaker, critic and activist). Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhibition "About Menocchio, we know many things." with documents linked with the life and trajectory of Michèle Firk (filmmaker, critic and activist). Exhibition "About Menocchio, we know many things." Bétonsalon, Paris, 2012. © Aurélien Mole
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    View of the exhibition "About Menocchio, we know many things." with a photograph of the Positif’s team : Michèle Firk, ?, Annie Tresgot, Bernard Chardère, ?, Paul-Louis Thirard, Paris, 1950s. Bétonsalon - Center for Art and Research, Paris, 2012. Courtesy Annie Tresgot.
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    View of the exhibition "About Menocchio, we know many things." with a photograph of Janette Habel, Sara Gomez and Michèle Firk in La Habana, Cuba, 1963. Bétonsalon - Center for Art and Research, Paris, 2012. Courtesy Annie Tresgot.
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    View of the exhibition "About Menocchio, we know many things." with Michèle Firk, Letter to open in case, May 17, 1967. Bétonsalon - Center for Art and Research, Paris, 2012.
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    View of the exhibition "About Menocchio, we know many things." with a family album made by Lyliane Firk. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhibition "About Menocchio, we know many things." with Tricontinental, n°65, 1970. Bétonsalon - Center for Art and Research, Paris, 2012.
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    Ugo Ulive, "La muerte de un critico de cine" published in Marcha (Uruguay), October 1918.
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    View of the exhibition "About Menocchio, we know many things." Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhibition "About Menocchio, we know many things." with Eric Watier, Untitled, 2010-2012, installation. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Monotone Press.
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    View of the exhibition "About Menocchio, we know many things." with Eric Watier, Untitled, 2010-2012, installation. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Monotone Press.
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    View of the exhibition "About Menocchio, we know many things." with Eric Watier, Untitled, 2010-2012, installation. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Monotone Press.
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    View of the exhibition "About Menocchio, we know many things." with Eric Watier, Untitled, 2010-2012, installation. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Monotone Press.
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    View of the exhibition "About Menocchio, we know many things." with Carole Roussopoulos, Lip 5 : Christiane et Monique, 1976, video. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole Copyright: Association Carole Roussopoulos.
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    View of the exhibition "About Menocchio, we know many things." with Mounira Al Solh, Paris Without a Sea, 2007-2008, from the project The Sea is A Stereo, 2007 - 2010, video. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Sfeir-Semler Gallery, Beirut-Hamburg.
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    View of the exhibition "About Menocchio, we know many things." with Peter Weiss, Visages dans l’ombre, 1956, video and Pierre Joseph & Jacques Rivet, Interview de Jean Joret, traceur de coque, 2011, book. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhibition "About Menocchio, we know many things." with Michel François, Untitled, 1993, photographs & pants pockets filled with plaster, private collection, France. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhibition "About Menocchio, we know many things." with Michel François, Untitled, 1993, photographs & pants pockets filled with plaster, private collection, France (detail). Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhibition "About Menocchio, we know many things." with Michel François, Untitled, 1993, photographs & pants pockets filled with plaster, private collection, France (detail). Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhibition "About Menocchio, we know many things." with Michel François, Untitled, 1993, photographs & pants pockets filled with plaster, private collection, France (detail). Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    View of the exhibition "About Menocchio, we know many things." with Dineo Seshee Bopape, Queen of Necklace sketch III, part 1, 2012, installation, mixed media. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Stevenson Gallery, Johannesburg.
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    View of the exhibition "About Menocchio, we know many things." with Dineo Seshee Bopape, Queen of Necklace sketch III, part 1, 2012, installation, mixed media. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Stevenson Gallery, Johannesburg.
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    View of the exhibition "About Menocchio, we know many things." with Dineo Seshee Bopape, Queen of Necklace sketch III, part 1, 2012, installation, mixed media. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Stevenson Gallery, Johannesburg.
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    View of the exhibition "About Menocchio, we know many things." with Dineo Seshee Bopape, Queen of Necklace sketch III, part 1, 2012, installation, mixed media. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Stevenson Gallery, Johannesburg.
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    View of the exhibition "About Menocchio, we know many things." with Dineo Seshee Bopape, Queen of Necklace sketch III, part 1, 2012, installation, mixed media. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Stevenson Gallery, Johannesburg.
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    Vue de l’expo­si­tion "De Menocchio, nous savons beau­coup de choses." avec Dineo Seshee Bopape, Queen of Necklace sketch III, part 1, 2012, installation, mixed media. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Stevenson Gallery, Johannesburg.
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    View of the exhibition "About Menocchio, we know many things." with Etel Adnan, Untitled, 2010, oil on canvas. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy Etel Adnan & Sfeir-Semler Gallery, Beirut-Hamburg.
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    View of the exhibition "About Menocchio, we know many things." with The Berwick Street Collective, Nightcleaners (Part 1), 1972-1975, video. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy The Berwick Street Collective & LUX, London.
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    View of the exhibition "About Menocchio, we know many things." with The Berwick Street Collective, Nightcleaners (Part 1), 1972-1975, video. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole. Courtesy The Berwick Street Collective & LUX, London.
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    View of the exhibition "About Menocchio, we know many things." with Facsimile of hand-written letter linked with the case of the slave Furcy, Archives départementales de la Réunion. Bétonsalon - Center for Art and Research, Paris, 2012. Image: Aurélien Mole
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    Facsimile of hand-written letter linked with the case of the slave Furcy, Archives départementales de la Réunion.
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    Facsimile of hand-written letter linked with the case of the slave Furcy, Archives départementales de la Réunion.