• Something More Than a Succession of Notes
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  • BS n°15
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    Images

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    Exhibition view "Something More Than a Succession of Notes" with Ignazio Macchiarella, “Saveguarding Orality? The case of canto a tenore” 2011. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with Taller Leñateros, "Bon Tintes Naturales", Ed. Chiapas, Mexico, 1980. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with Taller Leñateros, "Bon Tintes Naturales", Ed. Chiapas, Mexico, 1980. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Taller Leñateros, "Bon Tintes Naturales", Ed. Chiapas, Mexico, 1980. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Taller Leñateros, "Bon Tintes Naturales", Ed. Chiapas, Mexico, 1980. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes". Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with Ian Carr-Harris, "Fishes and Poissons", 2009. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with Violaine Lochu, "Chinese Whispers", 2013. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes". Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes". Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with ADA, 1986 -1996 and William Anastasi, "Coleslaw", 2003. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with ADA, 1986 -1996. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with ADA, 1986 -1996. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with ADA, 1986 -1996. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes". Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with William Anastasi, "Coleslaw", 2003. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with Alice De Mont, "Study, test block, test shelf, test room", 2011. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes". Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with Andrew Norman Wilson, the serie “ScanOps”, 2012. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with Andrew Norman Wilson, the serie “ScanOps”, 2012. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with Andrew Norman Wilson, "The Rainbow Girl – 9" from the serie “ScanOps”, 2012. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with Alice De Mont, "Study, test block, test shelf, test room", 2011. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with William Anastasi, “Without title (One Gallon of high gloss enamel poured)", 1966 – 2013 and “Microphone”, 1963-2010. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" withWilliam Anastasi, “Without title (One Gallon of high gloss enamel poured)", 1966 – 2013. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with William Anastasi, “Microphone”, 1963-2010. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with Willem Boshoff, "Highveld", 2011. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with Shirley Douglas & Tam Krenak, "A History of the Krenak People", 2012. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with Ruy Guerra, "Mueda, Memória e Massacre", 1979. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with Ruy Guerra, "Mueda, Memória e Massacre", 1979. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with AMAR Foundation (Foundation For Arab Music Archiving and Research), folder about Le Congrès du Caire (1932), 2013. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole
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    Exhibition view "Something More Than a Succession of Notes" with AMAR Foundation (Foundation For Arab Music Archiving and Research), folder about Le Congrès du Caire (1932), 2013. Bétonsalon - Center for Art and Research, Paris, 2013. © AMAR Foundation
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    Exhibition view "Something More Than a Succession of Notes" with AMAR Foundation (Foundation For Arab Music Archiving and Research), folder about Le Congrès du Caire (1932), 2013. Bétonsalon - Center for Art and Research, Paris, 2013. © AMAR Foundation
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    Exhibition view "Something More Than a Succession of Notes" with AMAR Foundation (Foundation For Arab Music Archiving and Research), folder about Le Congrès du Caire (1932), 2013. Bétonsalon - Center for Art and Research, Paris, 2013. © AMAR Foundation
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    Pénélope Patrix, "Le fado, vivant ou monument ?", 2013, video. © Pénélope Patrix
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    Exhibition view "Something More Than a Succession of Notes" with Johnny Kit Elswa, "A man in the Moon", 1883. Bétonsalon - Center for Art and Research, Paris, 2013. Image: Aurélien Mole