• The Public School
  • 12 Gestures
  • Communism’s Afterlives
  • Performing Memory
  • September 2010
  • Other events
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    Other events

    2009-2010

    L’ÉCOLE PUBLIQUE DE PARIS
    October 3rd 2009 6:00p.m.
    The Public School (Paris) Discussion group

    This course will assemble the discussion group to debate and organize the proposals posted in the Public School website.

    QUE FALLAIT-IL VOIR?
    October 12th 2009 7:30p.m.
    Damien Airault and Joël Riff

    Class programmed around Damien Airault’s (curator and art critic) works and Joël Riff on the status of the spectator.

    D. Airault : www.deuxieme-agence.com
    J. Riff : www.curieux.over-blog.com

    CHRONIQUE D’UN PAYS AU BORD DE LA CRISE DE NERFS
    October 20th 2009 5:00p.m.
    Sílvia Guerra

    Portugal and its way of living the contemporary, between cinema and visual and performative arts. Unveiling of authors such as Rui Costa, Tiago Hespanha, Sancho Silva, Manuel Santos Maia, Hugo Canoilas, António Sena, Paulo Mendes, Pedro Barateiro and Bunga, amongst others.

    THE PUBLIC SCHOOL
    October 27th 2009 7:00 p.m.
    Sean Dockray

    The Public School presentation (by co-founder Sean Dockray).

    CONSTRUIRE UN PROJECT CITOYEN... ET VOUS, COMMENT FÂITES-VOUS?
    October 29th 2009 6:00 p.m.
    October 30th 2009 7:00 p.m.
    November 10th 2009 6:00 p.m.
    December 1st 2009 6:00 p.m.
    December 14th 2009 18:00

    Organised in partnership with the Mission Démocratie Régionale et Jeunesse du Conseil Régional d’Ile-de-France

    COMMENT CONTACTER DES PUBLICS PARTICULIÈREMENT DIFFICILES ET ÉLOIGNÉS DES DISPOSITIFS EXISTANTS : L’EXPÉRIENCE DE L’ASSOCIATION ESPOIR GOUTTE D’OR
    October 29th 2009 6:00 p.m.

    This program focuses on the issue of publics and will discuss how to maintain contact with particularly difficult and out of reach publics (from the EGO Association’s point of view).

    QUELS OUTILS ET COMMENT LES UTILISER POUR FAVORISER L’IMPLICATION DE PUBLICS ÉLOIGNÉS DANS DES PROJETS CITOYENS?
    October 30th 2009 7:00 p.m.

    This program focuses on the tools needed to enable estranged publics to participate in citizen projects and how to put them to practice.

    COMMENT FAIRE DU DÉBAT PUBLIC UN OUTIL DE PARTICIPATION CITOYENNE? PAR L’ASSOCIATION LA FONDA
    November 10th 2009 6:00 p.m.

    A class regarding public debate and citizen participation.

    EVEILLER L’INTÉRÊT AUX SCIENCES POUR FORMER DES CITOYENS ACTIFS, RÉFLÉCHIS ET CRITIQUES
    December 1st 2009 6:00 p.m.

    A class aiming to introduce the Association’s methods to gather audiences around science.

    FAIRE DÉCOUVRIR EN PRATIQUE LE THÉÂTRE-FORUM PAR L’ASSOCIATION NAJE
    December 14th 2009 6:00 p.m.

    A class in developing popular culture so that all men, women and children possess the ability to make use of their citizenship in a republican democracy.

    HISTOIRE DE L’ART HORS CADRE
    October 31st 2009 and December 2nd 2009 2:00p.m.
    Josiane Gervais-Tiberghien and Camille Paulhan

    This class aims to approach art history’s obscured side in two manners: theory and practice.

    TRANSVERSALE/ CHANGEMENT D’AILE
    November 4th 2009 6p.m.
    Jonathan Fouchard

    Science class (in 3 parts).
    1st class: The cell from a cybernetic point of view.
    2nd class: The cell from a physics point of view.
    3rd class: Space from a biology point of view.

    LECTURES DE THEORIE SUR L’ART CONTEMPORAIN
    November 6th 2009 6:30p.m.
    Yann Ricordel, Silvia Guerra and Nicolas Fourgeaud

    Critic, philosophical and socio-economic production aiming art and the contemporary space.

    TRADUCTION ET ÉCRITURE / TRANSLATION AND WRITING
    November 7th 2009 10:30 a.m.
    Kate Briggs

    Through this class, we intend to debate the relation between translation and writing.

    INSTRUCTIONS POUR UN COURS DE DESSIN
    November 7th 2009 2:30 p.m.
    Chloe Briggs

    A drawing class (without a teacher) given through an instruction sheet.

    INITIATION À LA PEINTURE SUR LE PONT DU PARC
    November 7th 2009 2:30 p.m.
    Jean- Philippe Basello

    An introduction to painting taking place on the bridge over the park where participants are invited to materialize their perspective on the neighborhood’s landscape.

    Y-THE BLACK ISSUE
    May 1st 2010 5:00 p.m.
    Proposed by Komplot

    ’Y-The Black Issue’ looks for new collaborative processes in publishing and exhibition making. The publication is a script for the exhibition motivated by the desire to combat the darkness and cold through the gathering of fragments of conversations, poetry and images about SAD (seasonal affective disorder), melancholy, northern lights, weather, countryside or second residencies.
    ’Y-The Black Issue’, Book Launch and workshop.

    "JE ME SENS COMME UNE CUISSE DE POULET SOUS CELLOPHANE AU SUPERMARCHÉ"
    June 5th ,12th and 19th 2010 3:00 p.m.
    Maud Granger, Victor Costales, Jeanne Granger

    A class in three chapters:

    – The Post-capitalist Language
    – Post-human Fictions
    – Post-capitalism and Post-humanism

    THE PAGE + THE SCREEN: SITING TEXT IN THE EARLY 21ST CENTURY AND BEYOND
    June 29th 2010 9:00 p.m.
    Alexander Provan

    The class will examine print culture in the digital era: the potentials new technologies offer for renovating traditional forms of reading and viewing, strategies for making use of them, historical precedents for the current transformation of print and the publics formed around it, and the evolution of what we call publishing—an industry becoming disaggregated and thus redefined in relation to individual and social (self-publishing), rather than corporate, production.

    LES INTERLUCUTEURS III - LES FAUSSES CONFIDENCES
    15 October 2010 18:00 Ecole des Beaux arts de Toulouse
    16 October 2010 11:00 Ecole des Beaux arts de Toulouse

    A proposition by Mathilde Villeneuve
    At the Ecole des Beaux arts de Toulouse, 5 quai de la Daurade, 31000 Toulouse.
    In the frame of Printemps de septembre, from 24 September to17 October 2010

    Friday October 15th

    Note pour la fortune critique de Nicolas Poussin, Benjamin Seror
    from 6pm to 6.45pm
    indexofbenjaminseror.free.fr

    Des impressions et des ombres, Marcelline Delbecq
    from 7pm to 7.40pm

    Saturday October 16th
    Esthétique des différends, Benoit Maire
    from 11am tp 11.40am

    Loreto Martinez Troncoso, in collaboration with Ewen Chardronnet
    from 12am to 12.45am

    Currator: Mathilde Villeneuve
    Artists: Sandy Amerio, Oystein Asaan, Julie Brusley, Alex Cecchetti, Julien Crépieux, Guillaume Constantin, Marcelline Delbecq, Guillaume Désanges, Luca Frei, Ryan Gander, Mark Geffriaud, Emmanuelle Lainé et Laetitia Paviani, Benoît Maire, Benjamin Seror, Loreto Martinez Troncoso.

    Hypertexte http://www.projet-hypertexte.com/, in partnership with the Ecole des beaux-arts de Toulouse, label Toulous’up, Printemps de Septembre http://www.printempsdeseptembre.com , and in collaboration with the Ecole Nationale Supérieure d’arts Paris-Cergy http://www.ensapc.fr/